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Tonu Korvits – Mirror (2016)

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Tonu Korvits - Mirror (2016)

Tõnu Kõrvits – Mirror (2016)
Anja Lechner, violoncello; Kadri Voorand, voice; Tõnu Kõrvits, kannel
Tallinn Chamber Orchestra; Estonian Philarmonic Chamber Choir; Tõnu Kaljuste, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 250 Mb (incl 5%) | Mp3 (CBR320) ~ 156 Mb (incl 5%) | Scans included
Genre: Classical | Label: ECM | # New Series 2327, 481 2303 | Time: 01:03:07

Mirror is the first ECM New Series album from Estonian composer Tonu Korvitz (born 1969), who emphasizes his links to his homelands music at several levels. The album begins with a fantasy on a song by Veljo Tormis. Like the older composer, Korvitz has been influenced by folk song and archaic musical tradition, which find their echo in the refined and texturally-rich spectrum of his own, labyrinthine pieces. His music is well served here by the Tallinn Chamber Orchestra and the Estonian Philharmonic Chamber Choir under Tonu Kaljustes assured direction and by soloist Anja Lechner. Lechners cello is foregrounded in Peegeldused Tasaset Maast (2013), Laul (2012, rev. 2013) and the albums largest piece Seitsme Linnu Seitse Und (2009, rev. 2012), a collaboration with the poet Maarja Kangro, which is both choral suite and cello concerto. In these seven dreams of seven birds the choir sings in Estonian and English and the cello conjures both birdsong and swooping flight. Tasase Maa Laul (Plainland Song), a fresh arrangement of a Tormis melody has Kadri Voorand as vocal soloist, supported by strings and by Tonu Korvitz on kannel, the Estonian psaltery.

With Estonia’s Arvo Pärt ascending to the status of elder statesman of Baltic minimalism, several composers have been jockeying for position (if one is permitted to use such a term in such essentially spiritual surroundings) to supplant him. Among them is Tõnu Kõrvits, a student not of Pärt, but of a lesser-known figure in the Estonian choral tradition, Veljo Tormis. As such, Kõrvits writes music that seems to hang between minimalism and an earlier world of compact, tonal choral music. The two large works here, the string orchestra Labyrinths and Seven Dreams of Seven Birds, for the unusual combination of cello, choir, and orchestra, are not vast minimalist landscapes, but consist of short movements that introduce a few ideas, and in the case of the Labyrinths, circle back to where they started. The role of Anja Lechner’s cello, not exactly in dialogue with its companions, but walking beside them and offering commentary, is unique, and it’s the Seven Dreams that you might sample for the flavor of the whole at its best. Also unusual is the Plainland Song (track 9), featuring the kannel, an Estonian zither played by the composer himself. As usual with the minimalists, the physical space of the performance is an important part of the whole, and the Tallinn Methodist Church, a venue with considerable emotional resonance for Estonians (the fine booklet notes by Paul Griffiths go into more detail), is splendidly captured by Kõrvits, Manfred Eicher, and the rest of the ECM engineering team. Recommended for those interested in new developments in the successful Baltic scene.

Review by James Manheim, Allmusic.com

Tonu Korvits - Mirror (2016)

Tõnu Kõrvits at Allmusic
Tõnu Kõrvits at Wiki
Tonu Korvits - Mirror (2016)

Anja Lechner at Allmusic
Anja Lechner Website
Anja Lechner at Wiki

Anja Lechner – violoncello
Kadri Voorand – voice
Tõnu Kõrvits – kannel
Tallinn Chamber Orchestra
Estonian Philharmonic Chamber Choir
Tonu Kaljuste – conductor

Recorded at Methodist Church, Tallinn in February 2013.

Tracklist:

01. Peegeldused tasasest maast
(Reflections from a Plain) (05:07)

Labürindid (Labyrinths):
02. Labyrinth I (03:11)
03. Labyrinth II (01:41)
04. Labyrinth III (02:15)
05. Labyrinth IV (02:31)
06. Labyrinth V (02:42)
07. Labyrinth VI (02:31)
08. Labyrinth VII (04:35)

09. Tasase maa laul (Plainland Song) (04:55)

Seitsme linnu seitse und (Seven Dreams of Seven Birds) :
10. Dream I (05:43)
11. Dream II (02:42)
12. Dream III: Cello cadenza (03:00)
13. Dream IV (02:31)
14. Dream V (01:38)
15. Dream VI (03:52)
16. Dream VII (04:12)

17. Viimane laev (The Last Ship) (06:26)

18. Laul (Song) (03:27)

EAC log
Exact Audio Copy V1.1 from 23. June 2015

EAC extraction logfile from 16. September 2016, 7:40

Tonu Korvits / Mirror

Used drive : ATAPI iHBS112 2 Adapter: 1 ID: 1

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Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track

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Selected bitrate : 1024 kBit/s
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Add ID3 tag : No
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TOC of the extracted CD

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9 | 24:37.21 | 4:55.47 | 110796 | 132967
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12 | 37:58.73 | 3:00.12 | 170923 | 184434
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14 | 43:30.34 | 1:38.05 | 195784 | 203138
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16 | 49:01.16 | 4:12.46 | 220591 | 239536
17 | 53:13.62 | 6:26.18 | 239537 | 268504
18 | 59:40.05 | 3:27.03 | 268505 | 284032

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Track 3

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Track 4

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Track 5

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Track 6

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Track 7

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Track 8

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Track 9

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Track 10

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Track 11

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Track 12

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Track 13

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Track 14

Filename F:DLTonu Korvits – Mirror (2016) [FLAC]14 – Seven Dreams Of Seven Birds – Dream V.wav

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Track 15

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Track 16

Filename F:DLTonu Korvits – Mirror (2016) [FLAC]16 – Seven Dreams Of Seven Birds – Dream VII.wav

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Track 17

Filename F:DLTonu Korvits – Mirror (2016) [FLAC]17 – The Last Ship.wav

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Track 18

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All tracks accurately ripped

No errors occurred

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5 | (9/9) Accurately ripped
6 | (9/9) Accurately ripped
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8 | (9/9) Accurately ripped
9 | (9/9) Accurately ripped
10 | (9/9) Accurately ripped
11 | (9/9) Accurately ripped
12 | (9/9) Accurately ripped
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14 | (9/9) Accurately ripped
15 | (9/9) Accurately ripped
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==== Log checksum A28F83330147876C4BBF51D6938A2D20124AA8E102E6B31A772BF3187D139023 ====

DR log
foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2016-09-16 15:17:12

––––––––––––––––––––––––––––––––––––––––
Analyzed: Tonu Korvits / Mirror
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -2.87 dB -24.71 dB 5:08 01-Reflections from a Plain
DR13 -17.76 dB -36.63 dB 3:12 02-Labyrinths: Labyrinth I
DR13 -12.63 dB -31.97 dB 1:41 03-Labyrinths: Labyrinth II
DR13 -9.86 dB -29.47 dB 2:15 04-Labyrinths: Labyrinth III
DR15 -7.12 dB -28.94 dB 2:32 05-Labyrinths: Labyrinth IV
DR12 -5.36 dB -20.89 dB 2:42 06-Labyrinths: Labyrinth V
DR14 -11.50 dB -32.00 dB 2:32 07-Labyrinths: Labyrinth VI
DR13 -9.42 dB -28.19 dB 4:36 08-Labyrinths: Labyrinth VII
DR13 -6.16 dB -25.67 dB 4:56 09-Plainland Song
DR12 -7.65 dB -26.44 dB 5:44 10-Seven Dreams of Seven Birds: Dream I
DR11 -7.41 dB -25.26 dB 2:42 11-Seven Dreams of Seven Birds: Dream II
DR17 -8.55 dB -32.77 dB 3:00 12-Seven Dreams of Seven Birds: Dream III: Cello cadenza
DR11 -8.90 dB -25.04 dB 2:31 13-Seven Dreams of Seven Birds: Dream IV
DR11 -9.26 dB -25.33 dB 1:38 14-Seven Dreams of Seven Birds: Dream V
DR14 -3.98 dB -24.27 dB 3:53 15-Seven Dreams of Seven Birds: Dream VI
DR12 -7.04 dB -24.49 dB 4:13 16-Seven Dreams of Seven Birds: Dream VII
DR12 -3.02 dB -21.25 dB 6:26 17-The Last Ship
DR12 -10.73 dB -29.47 dB 3:27 18-Song
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 18
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 444 kbps
Codec: FLAC
================================================================================

Tonu Korvits - Mirror (2016)

All thanks to original releaser – dtromp

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