2xDVD9 | NTSC 16:9 (720×480) | Audio: DTS 5.1 and LPCM 2.0 | Full Scan Booklet | 14.56 GB
Classical | Run Time: 263 minutes
From the beginning of Glass and Wilson’s collaboration, they insisted on portraying the icon purely as a historical figure, in the absence of a storyline attached to his image. While they did incorporate symbols from Einstein’s life within the opera’s scenery, characters, and music, they intentionally chose not to give the opera a specific plot. This is in accord with Wilson’s formalist approach, which he asserts creates more truth on stage than naturalist theater. Wilson structured Einstein on the Beach as a repeating sequence of three different kinds of space. Between major acts are shorter entr’actes known as "knee plays," a signature technique that Wilson has applied throughout his oeuvre. Propelling idea of "non-plot" within Einstein on the Beach, its libretto employs solfège syllables, numbers, and short sections of poetry. In an interview, Glass comments that he originally intended for his audience to construct personal connections with Einstein as a character and with the music that he assigns to the icon. For example, the music within the first of the opera’s "Knee Plays" features repeated numbers accompanied by an electric organ. Glass states that these numbers and solfège syllables were used as placeholders for texts by the singers to memorize their parts, and were kept instead of replacing them with texts. This numerical repetition, however, offers an interpretation as a reference to the mathematical and scientific breakthroughs made by Einstein himself. Of further reference to the icon’s image, everything on the originally staged set of Einstein on the Beach, from costumes to lighting, depicts specific aspects that refer to Einstein’s life.
Overall, the music assigned to Einstein demonstrates a circular process, a repeating cycle that constantly delays resolution. This process uses both additive and subtractive formulas. The three main scenes within the opera—"Train", "Trial", and "Field/Spaceship"—allude to Einstein’s hypotheses about his theory of relativity and his unified field theory. Specifically, themes within the opera allude to nuclear weapons, science, and AM radio.
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Philip Glass & Robert Wilson: Einstein on the Beach (Michael Riesman) (2016) [2xDVD9] Download, Warez, DDL, Free, Full Album, Torrent, Legal.