Les Arts Florissants, William Christie – Mozart: Die Zauberflote (1996)

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Les Arts Florissants, William Christie - Mozart: Die Zauberflote (1996)

Les Arts Florissants, William Christie – Mozart: Die Zauberflote (1996)
EAC | FLAC (image+.cue, log) | Covers Included | 02:30:23 | 673 MB
Genre: Classical, Opera | Label: Erato Disques | Catalog: 0630-12705-2

This recording, made in studio in 1995, stems from a production premiered in 1994 at the Aix-en-Provence festival, staged by the Canadian Robert Carsen. It was Christie’s first recording of a Mozart opera (two years later did Entführung, and seems to have stopped there. See my review of Mozart – Die Entführung aus dem Serail / Schäfer, Petibon, Bostridge, Paton, Ewing, Löw, Les Arts Florissants, Christie) and one of his first forays out of late 16th-early 17th century repertoire (French baroque and Haendel). He shows a great affinity for Mozart, and is nowhere radically "baroque" (e.g. favoring hard-driven tempos) in his approach. Yes, his conducting has energy, drive and snap: just listen to the intro to "Zu hilfe!", for instance – it’s not just music, it’s theatre: you can feel the danger. But Christie can also be genial and laid-back, as in the first Papageno aria – Solti in 1991 is far more radical here, with the good ol’ Vienna Philharmonic (Die Zauberflote / The Magic Flute). Christie even allows himself now and then some expressive and very romantic rubatos. But he is also refreshingly precise – the 16th notes of the second chord in the overture do not sound as 8th or quarter-notes as so many others (for the sake, one surmises, of "solemnity") – and one senses that he makes a point in following the score, not the "interpretive tradition". The "baroque" practice can be heard in the use of appoggiaturas in some arias (Queen of the Night) as well as in the long cadenza at the end of the first Dame trio (disc 1, track 2, 5:30). And of course, everything is played half a tone under modern pitch – a blessing for the Queen of the Night and a nightmare for Sarastro, I suppose – the revenge of Womankind, perhaps? The timbral difference of period instruments is essentially perceptible in woodwinds and brass, not really in string tone. Period instrument fans such as myself find that they bring a refreshingly vivid orchestral color.
Christie has a good to exceptional cast of singers. There used to be a tradition of casting Tamino to heavier tenors, of near heldentenor type. Blochwitz is the pure Mozartean, lighter typed tenor, and so much for the better: the voice has a quality of silk and sweetness – although, for all its sweetness, it does show traces of unsteadiness in "Dies Bildniss…" (disc 1 track 5). Rosa Mannion I find is an exceptional Pamina, with angelic purity of voice and sweetness in the piano nuance above the stave (Alan Blyth, in his Gramophone’s survey of January 2006 also singled out Mannion, on a par with Lisa Della Casa, as his ideal Pamina). To my ears, the reedy tone of "period" woodwinds adds a lot to the plangent character of "Ach ich fühl’s". Scharinger has the vocal body and characterization of the great Papagenos. His duets with Mannion are great, the voices blend marvellously together.
Willard White is a fine Speaker, low-voiced and solemn – perhaps a bit too solemn. I find Steven Cole’s Monostatos a bit too soft-grained to fully convey the nastiness and menace of the character. Reinhard Hagen as Sarastro has all the required low notes – and possibly not the most interesting characterization, but then Sarastro is a role difficult to nuance out of a generalized solemn kindness. The two priests and two armored men call for no criticism.
I find Christie’s 3 kids exceptional in that, on the opposite pole from the solemn, mature, un-childish Tölzer Knabenchor or Wiener Sängerknaben type, they really sound like KIDS – in addition to which they are also pitch-right, a feature rarely encountered with the Austrian adolescents.
The spoken text is appropriately trimmed, that is still fairly complete but reduced just enough to avoid boredom. It is delivered I find without that much dramatic tension (Papageno sounds hardly startled when Tamino first calls him, "He da!") but lots of humor, and Scharinger-Papageno has an irresistible Viennese accent (and the way he rushes his explanatory prattling with Pamina in Act I scene 14, track 9, is a nice theatrical idea, too). In general it is the singers who also speak the text, except for the first and third lady, Speaker, two Priests and two armored men, replaced by German actors- presumably for ensuring a perfect accent. Dessay spent a season in the troupe of the Vienna Opera, so one can expect her German accent to be just fine. The Liverpool-born Rosa Mannion is credited as the speaker of her own role – and I have some doubts about that claim. It is clearly she who speaks the dialogue with Tamino and Papageno before "Ach Ich fühl’s" (some peculiarities of accent and diction can be distinctly recognized) but I am not so sure in the long Act I dialog with Papageno and Act II dialog with the Queen of the Night, as, although the timbre is quite similar, I don’t hear those peculiarities and find the German accent here well-nigh perfect. Anyway this is a petty detail "for the record" which causes no disturbance whatsoever.

Discogs

Les Arts Florissants, William Christie - Mozart: Die Zauberflote (1996)

Track List:

CD 1:
01. Ouvertüre [00:05:57]
02. Szene 01: No.01: Introduction ‘Zu Hilfe, zu Hilfe’ (1. Akt) [00:06:40]
03. Szene 02: No.02: Aria ‘Der Vogelfänger bin ich ja’ (1. Akt) [00:03:02]
04. He da! – Was da … Szene 03 (1. Akt) [00:04:24]
05. Szene 04: No.03: Aria ‘Dies Bildnis ist bezaubernd schön … Szene 05 (1. Akt) [00:04:40]
06. Szene 06: No.04: Rezitativ und Aria ‘O zittre nicht, mein lieber Sohn’ … Szene 07 (1. Akt) [00:04:44]
07. No.05: Quintet ‘Hm! Hm! Hm!’ … Szene 08 (1. Akt) [00:05:50]
08. Szenen 10 bis 12: ‘He Sklaven!’ … No.06: Trio ‘Du feines Täubchen nur herein’ (1. Akt) [00:01:53]
09. Szenen 13 & 14: Mutter! Mutter!-Wie-Noch schlägt dies Herz (1. Akt) [00:03:08]
10. No.07: Duett ‘Bei Männern, welche Liebe fühlen’ (1. Akt) [00:02:55]
11. Szene 15: No.08: Finale ‘Zum Ziele führt dich diese Bahn’ (1. Akt) [00:01:31]
12. Recitativo ‘Die Weisheitslehre dieser Knaben’ (1. Akt) [00:08:43]
13. Andante ‘Wie stark ist nicht dein Zauberton’ (1. Akt) [00:02:54]
14. Szene 16: ‘Schnelle FüBe, starker Mut’ … Szene 17 (1. Akt) [00:03:05]
15. Allegro maestoso ‘Es lebe Sarastro!’ (1. Akt) [00:01:47]
16. Szene 18: Larghetto ‘Herr, ich bin zwar Verbrecherin’ (1. Akt) [00:02:47]
17. Szene 19: ‘Na, stolzer Jüngling; nur hieher!’ (1. Akt) [00:03:12]
18. Szene 01: No.9: Priestermarsch (2. Akt) [00:03:02]
19. ‘Eingeweihte Diener der groBen Gotter Osiris und Isis!’ (2. Akt) [00:02:57]
20. No.10: Aria und Chorus ‘O Isis und Osiris’ [00:02:45]

EAC Log
Exact Audio Copy V1.2 from 12. August 2016

EAC extraction logfile from 30. June 2017, 16:08

William Christie, Les Arts Florissants / Die Zauberflöte (Disc 1)

Used drive : MATSHITADVD-RAM UJ8G6 Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 103
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:Program Files (x86)Exact Audio CopyFlacflac.exe
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%–picture="%coverfile%"%hascover% %source% -o %dest%

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Filename C:UsersRoyMusicMOZART – Die ZauberflöteCD (FLAC + CUE)CD 1Wolfgang Amadeus Mozart – Die Zauberflöte (Disc 1).wav

Peak level 95.6 %
Extraction speed 4.5 X
Range quality 100.0 %
Test CRC F0C3F353
Copy CRC F0C3F353
Copy OK

No errors occurred

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CD 2:
01. Szene 02: ‘Eine schreckliche Nacht!’ … Szene 03 [00:03:17]
02. No.11: Duett ‘Bewahret Euch vor Weibertücken’ … Szene 04 [00:01:09]
03. Szene 05: No.12: Quintett ‘Wie? Wie? Wie?’ … Szene 06 [00:03:46]
04. No.13: Aria ‘Alles fühlt der Liebe Freuden’ [00:01:17]
05. Szene 08: ‘Zurücke!-Ihr Götter!’ [00:01:34]
06. No.14: Aria ‘Der Hölle Rache kocht in meinem Herzen’ [00:03:12]
07. Szenen 09 bis 12: ‘Morden soll ich?’ [00:01:29]
08. No.15: Aria ‘In diesen heil’gen Hallen’ [00:03:29]
09. Szenen 13 bis 15: ‘Hier seid ihr euch beide allein uberlassen’ [00:02:37]
10. Szene 16: No.16: Trio ‘Seid uns zum zweiten Mal willkommen’ [00:01:24]
11. Szenen 17 & 18: ‘Tamino, wollen wir nicht speisen’ [00:01:41]
12. No.17: Aria ‘Ach, ich fühl’s, es ist verschwunden!’ … Szene 19 [00:05:18]
13. Szene 20: No.18: Chor der Priester ‘O Isis und Osiris’ … Szene 2 [00:03:18]
14. No.19: Trio ‘Soll ich dich Teurer nicht mehr sehn?’ … Szen [00:04:41]
15. No.20: Aria ‘Ein Mädchen oder Weibchen wünscht Papageno sich!’ [00:04:13]
16. Szene 24: ‘Da bin ich schon, mein Engel!’ … Szene 25 [00:01:43]
17. Szene 26: No.21: Finale ‘Bald prangt, den Morgen zu verkünden’ … Szene 27 [00:05:50]
18. Szene 28: ‘Der, welcher wandert diese StraBe voll Beschwerden’ [00:03:15]
19. ‘Tamino halt! Ich muB dich sehn!’ [00:05:26]
20. ‘Wir wandelten durch Feuersgluten’ [00:03:05]
21. Szene 29: ‘Papagena! Papagena!’ [00:05:12]
22. ‘Pa- Pa- Pa-‘ [00:02:33]
23. Szene 30: ‘Nur Stille! Stille!’ [00:01:52]
24. ‘Die Strahlen der Sonne vertreiben die Nacht’ [00:02:46]

EAC Log
Exact Audio Copy V1.2 from 12. August 2016

EAC extraction logfile from 30. June 2017, 17:23

William Christie, Les Arts Florissants / Die Zauberflöte (Disc 2)

Used drive : MATSHITADVD-RAM UJ8G6 Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 103
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:Program Files (x86)Exact Audio CopyFlacflac.exe
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%–picture="%coverfile%"%hascover% %source% -o %dest%

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Filename C:UsersRoyMusicMOZART – Die ZauberflöteCD (FLAC + CUE)CD 2Wolfgang Amadeus Mozart – Die Zauberflöte (Disc 2).wav

Peak level 86.8 %
Extraction speed 4.5 X
Range quality 100.0 %
Test CRC 7CDF73F0
Copy CRC 7CDF73F0
Copy OK

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6 | (37/37) Accurately ripped
7 | (37/37) Accurately ripped
8 | (37/37) Accurately ripped
9 | (37/37) Accurately ripped
10 | (37/37) Accurately ripped
11 | (37/37) Accurately ripped
12 | (37/37) Accurately ripped
13 | (36/37) Accurately ripped
14 | (37/37) Accurately ripped
15 | (37/37) Accurately ripped
16 | (37/37) Accurately ripped
17 | (37/37) Accurately ripped
18 | (36/37) Accurately ripped
19 | (37/37) Accurately ripped
20 | (37/37) Accurately ripped
21 | (36/37) Accurately ripped
22 | (37/37) Accurately ripped
23 | (37/37) Accurately ripped
24 | (37/37) Accurately ripped

==== Log checksum 9E00321649EC991F11C8292EFA7F1201F3D69F343C6C52BC44E7CECA5DFE322B ====

CUETools Log
[CUETools log; Date: 10.07.2017 14:06:12; Version: 2.1.5]
[CTDB TOCID: DapqTx0OAcUlCgo0aGBZ3LxicL4-] found.
Track | CTDB Status
1 | (37/37) Accurately ripped
2 | (37/37) Accurately ripped
3 | (37/37) Accurately ripped
4 | (37/37) Accurately ripped
5 | (37/37) Accurately ripped
6 | (37/37) Accurately ripped
7 | (37/37) Accurately ripped
8 | (37/37) Accurately ripped
9 | (37/37) Accurately ripped
10 | (37/37) Accurately ripped
11 | (37/37) Accurately ripped
12 | (37/37) Accurately ripped
13 | (36/37) Accurately ripped
14 | (37/37) Accurately ripped
15 | (37/37) Accurately ripped
16 | (37/37) Accurately ripped
17 | (37/37) Accurately ripped
18 | (36/37) Accurately ripped
19 | (37/37) Accurately ripped
20 | (37/37) Accurately ripped
21 | (36/37) Accurately ripped
22 | (37/37) Accurately ripped
23 | (37/37) Accurately ripped
24 | (37/37) Accurately ripped
[AccurateRip ID: 003a7dbd-0417938e-4a116918] found.
Track [ CRC | V2 ] Status
01 [92c39a17|89a8549e] (25+22/55) Accurately ripped
02 [e11e6b83|27447af0] (25+22/55) Accurately ripped
03 [9f71e1a2|d71da5e2] (24+22/54) Accurately ripped
04 [300a0f17|eb65b653] (24+22/54) Accurately ripped
05 [86731df0|ba688547] (24+22/54) Accurately ripped
06 [e92d648e|ab1e5e03] (26+22/56) Accurately ripped
07 [119b56ae|b8a7bd9c] (25+22/55) Accurately ripped
08 [0d153757|8e780b7b] (25+22/54) Accurately ripped
09 [096d4b53|f2f4ea1e] (25+22/54) Accurately ripped
10 [1aa34e9e|d1fee3c3] (25+22/54) Accurately ripped
11 [97a3cb82|6d270b51] (25+22/54) Accurately ripped
12 [d705128b|32136e25] (25+22/54) Accurately ripped
13 [1dacbda5|6eacae18] (25+22/54) Accurately ripped
14 [672f425d|ec8f7490] (25+22/54) Accurately ripped
15 [84135d59|927cdb22] (25+22/54) Accurately ripped
16 [682d6e53|40beb405] (25+22/54) Accurately ripped
17 [f56ffe65|08412d57] (25+22/54) Accurately ripped
18 [f3c9765f|8473a349] (25+22/54) Accurately ripped
19 [55b01fa9|9c66dbd2] (25+22/54) Accurately ripped
20 [5fa39c9b|9e63f64b] (25+22/53) Accurately ripped
21 [510a40e4|95687f37] (25+22/53) Accurately ripped
22 [0c34dbae|288facaf] (24+22/52) Accurately ripped
23 [e2a7d03e|288cd28a] (24+22/53) Accurately ripped
24 [3e0dbda8|ee48e1a0] (24+22/53) Accurately ripped
Offsetted by -664:
01 [6c060b93] (03/55) Accurately ripped
02 [e715af62] (03/55) Accurately ripped
03 [3f0512d2] (03/54) Accurately ripped
04 [d63fe6e9] (03/54) Accurately ripped
05 [f1588de6] (03/54) Accurately ripped
06 [2a274e7c] (03/56) Accurately ripped
07 [adfc73dc] (03/55) Accurately ripped
08 [ffa635d0] (02/54) Accurately ripped
09 [471e4657] (02/54) Accurately ripped
10 [7bfabd12] (02/54) Accurately ripped
11 [7d9dffad] (02/54) Accurately ripped
12 [6b2e4fb1] (02/54) Accurately ripped
13 [0f7187fb] (02/54) Accurately ripped
14 [d8e27245] (02/54) Accurately ripped
15 [9f5325a7] (02/54) Accurately ripped
16 [5a813854] (02/54) Accurately ripped
17 [df8047c7] (02/54) Accurately ripped
18 [c63c2bf1] (02/54) Accurately ripped
19 [091cb1f3] (02/54) Accurately ripped
20 [0d0445e3] (02/53) Accurately ripped
21 [d9f5a02b] (02/53) Accurately ripped
22 [aead5713] (02/52) Accurately ripped
23 [1ade1688] (02/53) Accurately ripped
24 [efec87ce] (02/53) Accurately ripped

Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 86,8 [7CDF73F0] [056B6A15] CRC32
01 86,8 [88F80E8A] [FC69B1D2]
02 48,7 [26D2B571] [A4C6232F]
03 79,5 [A32CE417] [EB6A6CB4]
04 24,0 [89A4FCAA] [8D37E289]
05 75,9 [18CBDBC7] [467B15F3]
06 60,9 [10E942A0] [0926A83A]
07 50,3 [0C5DA941] [AFC00E17]
08 22,8 [02DE9D66] [1AD3AA9C]
09 74,5 [02AB5F91] [0A537CC5]
10 12,1 [1F077897] [727514E8]
11 20,6 [D5FD6FCE] [E7765934]
12 36,0 [2190985F] [14AC031D]
13 49,9 [80EF88E0] [131B6998]
14 62,1 [C1041320] [16DD66E9]
15 38,9 [900CF73F] [2D1B92A7]
16 78,8 [364E330C] [7850BDD6]
17 50,1 [C41505EB] [AAE24942]
18 23,5 [CB4693B6] [BDFDFCD4]
19 29,8 [A66C339B] [F648FBD0]
20 56,0 [5E72B9AA] [A44E5058]
21 35,9 [54CE2D9B] [7DCE7536]
22 48,6 [BA877625] [1B5780EE]
23 82,3 [B9D8DF8E] [82259AD4]
24 79,1 [40D27C9C] [0100CD9F]

Performers:
Pamina – Rosa Mannion (soprano)
Königin der Nacht – Natalie Dessay (soprano)
Papagena – Linda Kitchen (soprano)
Erste Dame – Anna-Maria Panzarella (soprano)
Zweiter Dame – Doris Lamprecht (mezzo-soprano)
Dritte Dame – Delphine Haidan (alto)
Tamino – Hans Peter Blochwitz (tenor)
Papageno – Anton Scharinger (baritone)
Sarastro – Reinhard Hagen (bass)
Sprecher – Willard White (bass)
Monostatos – Steven Cole (tenor)
Erster Priester / Erster Geharnischter – Christopher Josey (tenor)
Zweiter Priester / Zweiter Geharnischter – Laurent Naouri (bass)
Drei Knaben – Damien Colin, Patrick Olivier Croset, Stéphane Dutournier
Sprechrollen – Sabine Schlichting (Erste Dame), Andrea Schieffer (Dritte Dame), Joachim Seitz (Sprecher), Richard Sammel (Erster Priester/Erster Geharnischter), Martin Ploderer (Zweiter Priester/Zweiter Geharnischter)

Chorus – Maîtrise de l’Opéra de Lyon
Orchestra – Les Arts Florissants
Conductor – William Christie

Thanks to the Original ripper (unknown)!

Download:

Les Arts Florissants, William Christie – Mozart: Die Zauberflote (1996) Download, Warez, DDL, Free, Full Album, Torrent, Legal.

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