Julie Driscoll & Brian Auger – Best Of Julie Driscoll & Brian Auger (1992)

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Julie Driscoll & Brian Auger - Best Of Julie Driscoll & Brian Auger (1992)

Julie Driscoll & Brian Auger – Best Of Julie Driscoll & Brian Auger (1992)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Polydor, BX 457-2 | ~ 457 or 178 Mb | Scans Included
Jazz-Rock, Progressive Rock, Psychedelic Rock

Brian Auger was raised in London, where he took up the keyboards as a child and began to hear jazz by way of the American Armed Forces Network and an older brother’s record collection. By his teens, he was playing piano in clubs, and by 1962 he had formed the Brian Auger Trio with bass player Rick Laird and drummer Phil Knorra. In 1964, he won first place in the categories of "New Star" and "Jazz Piano" in a reader’s poll in the Melody Maker music paper, but the same year he abandoned jazz for a more R&B-oriented approach and expanded his group to include John McLaughlin (guitar) and Glen Hughes (baritone saxophone) as the Brian Auger Trinity. This group split up at the end of 1964, and Auger moved over to Hammond B-3 organ, teaming with bass player Rick Brown and drummer Mickey Waller. After a few singles, he recorded his first LP on a session organized to spotlight blues singer Sonny Boy Williamson that featured his group, saxophonists Joe Harriott and Alan Skidmore, and guitarist Jimmy Page; it was Don’t Send Me No Flowers, released in 1968.

By mid-1965, Auger’s band had grown to include guitarist Vic Briggs and vocalists Long John Baldry, Rod Stewart, and Julie Driscoll, and was renamed Steampacket. More a loosely organized musical revue than a group, Steampacket lasted a year before Stewart and Baldry left and the band split. Auger retained Driscoll and brought in bass player Dave Ambrose and drummer Clive Thacker to form a unit that was billed as Julie Driscoll, Brian Auger and the Trinity. Their first album, Open, was released in 1967 on Marmalade Records (owned by Auger’s manager, Giorgio Gomelsky), but they didn’t attract attention on record until the release of their single, "This Wheel’s on Fire," (music and lyrics by Bob Dylan and Rick Danko) in the spring of 1968, which preceded the appearance of the song on the Band’s Music from Big Pink album. The disc hit the top five in the U.K., after which Open belatedly reached the British charts. Auger and the Trinity recorded the instrumental album Definitely What! (1968) without Driscoll, then brought her back for the double-LP, Streetnoise (1968), which reached the U.S. charts on Atco Records shortly after a singles compilation, Jools & Brian, gave them their American debut on Capitol in 1969. Driscoll quit during a U.S. tour, but the Trinity stayed together long enough to record Befour (1970), which charted in the U.S. on RCA Records, before disbanding in July 1970.

Auger put together a new band to play less commercial jazz-rock and facetiously called it the Oblivion Express, since he didn’t think it would last; instead, it became his perennial band name. The initial unit was a quartet filled out by guitarist Jim Mullen, bass player Barry Dean, and drummer Robbie McIntosh. Their initial LP, Brian Auger’s Oblivion Express, was released in 1971, followed later the same year by A Better Land, but their first U.S. chart LP was Second Wind in June 1972, the album that marked the debut of singer Alex Ligertwood with the band. Personnel changes occurred frequently, but the Oblivion Express continued to figure in the U.S. charts consistently over the next several years with Closer to It! (August 1973), Straight Ahead (March 1974), Live Oblivion, Vol. 1 (December 1974), Reinforcements (October 1975), and Live Oblivion, Vol. 2 (March 1976). Meanwhile, Auger had moved to the U.S. in 1975, eventually settling in the San Francisco Bay area. In the face of declining sales, he switched to Warner Bros. Records for Happiness Heartaches, which charted in February 1977. Encore, released in April 1978, was a live reunion with Julie Tippetts (née Driscoll) that marked the end of Auger’s association with major record labels, after which he dissolved the Oblivion Express and recorded less often. In 1990, he teamed up with former Animals singer Eric Burdon, and the two toured together during the next four years, releasing Access All Areas together in 1993. In 1995, Auger put together a new Oblivion Express. As of 2000, the lineup consisted of his daughter, Savannah, on vocals, Chris Clermont on guitar, Dan Lutz on bass, and his son Karma on drums. This group issued the album Voices of Other Times on Miramar Records one week before Auger’s 61st birthday.

by William Ruhlmann, allmusic

Julie Driscoll & Brian Auger – Best Of Julie Driscoll & Brian Auger (1992):

Julie Driscoll & Brian Auger - Best Of Julie Driscoll & Brian Auger (1992)

Tracklist:

01. This Wheel’s On Fire (Dylan) 03:32
02. Let The Sunshine In (Ragni, Rado, McDermot) 03:05
03. Season Of The Witch (Donovan Leitch) 07:42
04. Ellis Island (Brian Auger) 04:08
05. Indian Rope Man (Havens, Price, Rope) 03:00
06. Czechoslovakia (Julie Driscoll) 06:25
07. Save The Country (Laura Nyro) 04:00
08. Tramp (Fulson, McCracklin) 04:03
09. When I Was Young (Julie Driscoll) 07:02
10. Save Me (Part 1) (Ousley, Franklin, Franklin) 02:38
11. Light My Fire (The Doors) 04:30
12. Take Me To The Water (Simone) 04:00
13. Road To Cairo (Ackles) 05:20
14. Good Bye Jungle Telegraph (Auger) 06:02
15. Black Cat (Auger) 03:22
16. I’ve Got Life (Ragni, Rado, McDermot) 04:30

EAC Log
Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 8. January 2017, 8:14

Various / Jukie Driscoll & Brian Auger "Best Of"

Used drive : TSSTcorpCDDVDW SH-216DB Adapter: 0 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:Program Files (x86)Exact Audio CopyFlacflac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.33 | 3:32.52 | 33 | 15984
2 | 3:33.10 | 3:06.43 | 15985 | 29977
3 | 6:39.53 | 7:54.17 | 29978 | 65544
4 | 14:33.70 | 4:10.53 | 65545 | 84347
5 | 18:44.48 | 3:22.52 | 84348 | 99549
6 | 22:07.25 | 6:26.58 | 99550 | 128557
7 | 28:34.08 | 3:56.65 | 128558 | 146322
8 | 32:30.73 | 4:10.22 | 146323 | 165094
9 | 36:41.20 | 7:03.70 | 165095 | 196889
10 | 43:45.15 | 2:30.65 | 196890 | 208204
11 | 46:16.05 | 4:22.50 | 208205 | 227904
12 | 50:38.55 | 4:17.38 | 227905 | 247217
13 | 54:56.18 | 5:21.00 | 247218 | 271292
14 | 60:17.18 | 6:14.17 | 271293 | 299359
15 | 66:31.35 | 3:24.25 | 299360 | 314684
16 | 69:55.60 | 4:26.13 | 314685 | 334647

Range status and errors

Selected range

Filename L:PrivateMy Audio Ripps CD – RIPSJulie Driscoll & Brian Auger – Best OfVarious – Jukie Driscoll & Brian Auger ”Best Of”.wav

Peak level 100.0 %
Extraction speed 2.4 X
Range quality 100.0 %
Test CRC 0C50A144
Copy CRC 0C50A144
Copy OK

No errors occurred

AccurateRip summary

Track 1 accurately ripped (confidence 16) [18D4D6BB] (AR v2)
Track 2 accurately ripped (confidence 16) [C9B59EA3] (AR v2)
Track 3 accurately ripped (confidence 16) [6B021070] (AR v2)
Track 4 accurately ripped (confidence 16) [CF76A5AE] (AR v2)
Track 5 accurately ripped (confidence 16) [67FB629B] (AR v2)
Track 6 accurately ripped (confidence 16) [F5CFA119] (AR v2)
Track 7 accurately ripped (confidence 16) [498DA122] (AR v2)
Track 8 accurately ripped (confidence 16) [C1543045] (AR v2)
Track 9 accurately ripped (confidence 16) [894695ED] (AR v2)
Track 10 accurately ripped (confidence 16) [9B611EFC] (AR v2)
Track 11 accurately ripped (confidence 16) [8296669F] (AR v2)
Track 12 accurately ripped (confidence 16) [9CE449C8] (AR v2)
Track 13 accurately ripped (confidence 16) [3FBB4063] (AR v2)
Track 14 accurately ripped (confidence 16) [2CB0E797] (AR v2)
Track 15 accurately ripped (confidence 16) [8A663201] (AR v2)
Track 16 accurately ripped (confidence 16) [CD5F8F58] (AR v2)

All tracks accurately ripped

End of status report

==== Log checksum 06B87747F4F09C3A98F85EBF378D3AF45CF216FE38ACACDD0186906509791554 ====

DR Log
foobar2000 1.2.9 / Dynamic Range Meter 1.1.1
log date: 2017-01-10 21:06:28

––––––––––––––––––––––––––––––––––––––––
Analyzed: Jukie Driscoll & Brian Auger / Best Of
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 0.00 dB -12.69 dB 3:33 01-This Wheel’s On Fire
DR10 0.00 dB -12.51 dB 3:07 02-Let The Sunshine In
DR11 -0.86 dB -15.88 dB 7:54 03-Seasons Of The Witch
DR9 -4.57 dB -15.01 dB 4:11 04-Ellis Island
DR10 -0.03 dB -11.61 dB 3:23 05-Indian Rope Man
DR10 -1.91 dB -14.75 dB 6:27 06-Czechoslovakia
DR10 -0.15 dB -13.21 dB 3:57 07-Save The Country
DR11 -0.17 dB -12.09 dB 4:10 08-Tramp
DR10 -2.84 dB -16.76 dB 7:04 09-When I Was Young
DR10 0.00 dB -12.02 dB 2:31 10-Save Me (Part1)
DR9 0.00 dB -13.63 dB 4:23 11-Light My Fire
DR10 -0.65 dB -13.03 dB 4:18 12-Take Me To The Water
DR10 -0.31 dB -12.13 dB 5:21 13-Road To Cairo
DR12 -0.08 dB -16.11 dB 6:14 14-Goodbye Jungle Telegraph
DR10 -0.36 dB -12.92 dB 3:24 15-Black Cat
DR10 0.00 dB -12.84 dB 4:26 16-I’ve Got Live
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 16
Official DR value: DR10

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 829 kbps
Codec: FLAC

CUETools Log
[CUETools log; Date: 10.01.2017 21:00:17; Version: 2.1.4]
Pregap length 00:00:33.
[CTDB TOCID: TlzmQx.yXy3L5MOJPbWsLUhMQR0-] found.
Track | CTDB Status
1 | (28/44) Accurately ripped
2 | (44/44) Accurately ripped
3 | (44/44) Accurately ripped
4 | (44/44) Accurately ripped
5 | (44/44) Accurately ripped
6 | (44/44) Accurately ripped
7 | (44/44) Accurately ripped
8 | (44/44) Accurately ripped
9 | (43/44) Accurately ripped
10 | (44/44) Accurately ripped
11 | (44/44) Accurately ripped
12 | (44/44) Accurately ripped
13 | (43/44) Accurately ripped, or (1/44) differs in 23 samples @00:00:57,00:03:58,00:05:26,03:49:64,04:00:06
14 | (44/44) Accurately ripped
15 | (44/44) Accurately ripped
16 | (44/44) Accurately ripped
[AccurateRip ID: 002b44a3-02098af5-e9116d10] found.
Track [ CRC | V2 ] Status
01 [15b21510|18d4d6bb] (08+16/41) Accurately ripped
02 [8a353b52|c9b59ea3] (09+16/43) Accurately ripped
03 [9dd8591e|6b021070] (08+16/42) Accurately ripped
04 [0549e6b8|cf76a5ae] (08+16/42) Accurately ripped
05 [79dc6ba5|67fb629b] (08+16/42) Accurately ripped
06 [4599e524|f5cfa119] (08+16/42) Accurately ripped
07 [fadd4c3c|498da122] (09+16/43) Accurately ripped
08 [38c00d16|c1543045] (09+16/43) Accurately ripped
09 [1c0f2e2a|894695ed] (08+16/42) Accurately ripped
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13 [0a9d65aa|3fbb4063] (08+16/42) Accurately ripped
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16 [d34eadc7|cd5f8f58] (07+16/41) Accurately ripped
Offsetted by -425:
01 [f7bd2f6f] (02/41) Accurately ripped
02 [c399253a] (02/43) Accurately ripped
03 [ec121e14] (02/42) Accurately ripped
04 [988b5d30] (02/42) Accurately ripped
05 [9f08506e] (02/42) Accurately ripped
06 [309bcc52] (02/42) Accurately ripped
07 [c0f9206e] (02/43) Accurately ripped
08 [8f16d4e3] (02/43) Accurately ripped
09 [d54327b2] (02/42) Accurately ripped
10 [2d1c7e7c] (02/43) Accurately ripped
11 [b0effe3b] (02/42) Accurately ripped
12 [8fa08bde] (02/42) Accurately ripped
13 [9305ef7d] (02/42) Accurately ripped
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15 [802df763] (02/41) Accurately ripped
16 [7ce06b17] (02/41) Accurately ripped
Offsetted by -669:
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04 [f9223090] (05/42) Accurately ripped
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10 [4ceb9224] (05/43) Accurately ripped
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16 [8eb80157] (05/41) Accurately ripped

Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 100,0 [0C50A144] [6BB422DB] CRC32
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03 90,6 [AE490EEB] [A821C32A]
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Julie Driscoll & Brian Auger - Best Of Julie Driscoll & Brian Auger (1992)

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