Henry Purcell – Funeral Music For Queen Mary, Sacred Music, Dioclesian, Songs (Michael Chance, Choir Of Clare College) [2001] | ViralVideoPk

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Henry Purcell – Funeral Music For Queen Mary, Sacred Music, Dioclesian, Songs (Michael Chance, Choir Of Clare College) [2001]

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Henry Purcell - Funeral Music For Queen Mary, Sacred Music, Dioclesian, Songs (Michael Chance, Choir Of Clare College) [2001]

Henry Purcell – Funeral Music For Queen Mary, Sacred Music, Dioclesian, Songs
(Michael Chance, Choir Of Clare College, Cambridge) [2001]

EAC Rip | FLAC, IMG+CUE, LOG | Covers | 2cd, 522 MB
Classical | Label: C Majeur / NCRV ‎/ Columns Classics | Catalog Number: 290170 | TT: 2:07;41

Compilations are highly useful in understanding the works of the inexhaustibly tuneful British composer Henry Purcell (1659-1695). He had a few big hits, like the Funeral Music for Queen Mary (which is included here) and the opera Dido and Aeneas (which isn’t). But much of his best music is scattered around in small bits, residing within genres that are rather odd from today’s perspective. Purcell spent much of his short adult life as a theater composer, and his incidental music, for example, is filled with perfect miniatures.
This two-disc set from the indefatigable Dutch authentic-performances label Brilliant Classics is rather mystifying in its selection criteria, however. On the first disc we get a series of single-section sacred pieces plus the Funeral Music for Queen Mary (here titled the "Funeral Sentences," confusing in that the instrumental pieces that go with the three texted Sentences are included as well). The second disc opens with nine songs from various sources, continues with an instrumental Chaconny in G minor, and ends with the odd combination of 15 selections from Purcell’s incidental music for the play Dioclesian and one two-minute piece for Shakespeare’s Timon of Athens. This is in no way a representative selection of Purcell’s theatrical music; he wrote scores for several other plays, and none of the music from his compositions in opera-related genres is included. The Clare College Choir, Cambridge, under Timothy Brown delivers solid, straight-up-the-middle performances of the choral music on the first disc, with the Baroque Brass of London offering fine, somber readings of the Funeral Music’s instrumental interludes. The second disc is less successful; sample the singing of countertenor Michael Chance on one of the first nine tracks before buying this, for his is an unusual, rather hooty instrument. The delightfully named ensemble Miscellany likewise has an unusual style; it is tense and restrained in Purcell’s little theatrical pieces where most other ensembles play up the kinetic quality of his music. The price is very low, as usual with Brilliant Classics, and you can get some good music for your money. You’ll feel better about both Purcell and your finances, however, if you try out some other recordings.

Performer:
Choir – Choir Of Clare College, Cambridge (tracks: 1-01 to 1-13)
Composed By – Henry Purcell
Conductor – Timothy Brown (3) (tracks: 1-01 to 1-13)
Countertenor Vocals – Michael Chance (tracks: 2-01 to 2-09)
Double Bass – Daniel Yeadon (tracks: 2-10 to 2-26)
Engineer – Bert Van De Wolf (tracks: 2-10 to 2-26), Nicholas Parker (tracks: 1-01 to 1-13), Tim Handley (tracks: 1-01 to 1-13)
Guitar – David Miller (7) (tracks: 2-10 to 2-26)
Harpsichord – Maggie Cole (tracks: 2-01 to 2-09), Neal Peres Da Costa (tracks: 2-10 to 2-26)
Lute [Archlute] – David Miller (7) (tracks: 2-10 to 2-26)
Orchestra – Baroque Brass Of London (tracks: 1-01 to 1-13)
Organ – Neal Peres Da Costa (tracks: 2-10 to 2-26)
Producer – Nicholas Parker (tracks: 1-01 to 1-13, 2-1 to 2-9), Ted Diehl (tracks: 2-10 to 2-26), Tim Handley (tracks: 1-01 to 1-13, 2-1 to 2-9)
Recorder – Ashley Solomon (tracks: 2-10 to 2-26), Rebecca Prosser (tracks: 2-10 to 2-26)
Theorbo – David Miller (7) (tracks: 2-10 to 2-26)
Viol – Richard Boothby (tracks: 2-01 to 2-09)
Viola – Jane Rogers (2) (tracks: 2-10 to 2-26)
Violin – Lucy Russell (tracks: 2-10 to 2-26), Rachel Podger (tracks: 2-10 to 2-26)

Tracklisting:
CD1 [54:51]
Sacred Music
1-01 Te Deum 11:36
1-02 Jubilate Deo 7:12
1-03 My Beloved Spake 9:35
1-04 O God, Thou Art My God 3:27
1-05 Lord, How Long Wilt Thou Be Angry 3:16
1-06 Remember Not, Lord, Our Offences 2:53
1-07 Hear My Prayer, O Lord 2:06
Funeral Sentences For Queen Mary
1-08 Funeral March 2:08
1-09 Man, That Is Born Of A Woman 2:21
1-10 In The Midst Of Life 3:40
1-11 Canzona 2:24
1-12 Tou Knowest, Lord 2:51
1-13 Funeral March 1:17

CD2 [72:50]
Songs
2-01 Strike The Viol 2:27
2-02 The Queen’s Epicedium 8:22
2-03 Here The Deities Approve 3:01
2-04 O Solitude 5:34
2-05 Sweeter Than Roses 3:21
2-06 Music For A While 4:06
2-07 If Music Be The Food Of Love 2:07
2-08 In The Black Dismal Dungeon Of Despair 4:10
2-09 An Evening Hymn 4:36
Instrumental Music
2-10 Chaconny In G Minor 4:40
From The Play ‘Dioclesian’
2-11 First Music 2:18
2-12 Overture 4:28
2-13 1st Act Tune 1:15
2-14 Dance Of The Furies 3:35
2-15 Second Act Tune 1:30
2-16 Two In Once Upon A Ground 2:41
2-17 The Chair Dance 1:16
2-18 Third Act Tune 0:46
2-19 Butterfly Dance 2:21
2-20 Country Dance In Act 5 1:33
2-21 Dance Of The Bacchanals 1:28
2-22 Still I’m Wishing 1:55
2-23 Canaries 0:47
2-24 Dance 1:27
2-25 Dance 0:53
From The Play ‘Timon Of Athens’
2-26 Curtain Tune 2:13

LOG
Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 15. January 2014, 22:48

Timothy Brown / Henry Purcell – CD1 – Sacred Music – Funeral Music for Queen Mary

Used drive : ATAPI iHAS122 C Adapter: 0 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : User Defined Encoder
Selected bitrate : 192 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:Program FilesExact Audio CopyFlacflac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%

TOC of the extracted CD

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Peak level 96.9 %
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Copy CRC 1FB4A42F
Copy OK

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==== Log checksum 7AC3FE7565FB079C495D302C942756D24CC05C7EA910C8955184F8CF53BAE488 ====

LOG
Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 15. January 2014, 23:07

Timothy Brown / Henry Purcell – CD2 – Songs, Instrumental Music, Dioclesian

Used drive : ATAPI iHAS122 C Adapter: 0 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : User Defined Encoder
Selected bitrate : 192 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:Program FilesExact Audio CopyFlacflac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%

TOC of the extracted CD

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26 | 70:37.00 | 2:13.69 | 317775 | 327818

Range status and errors

Selected range

Filename C:Program FilesExact Audio CopyFlacPurcell – CD2 – Songs, Instrumental Music, Dioclesian.wav

Peak level 100.0 %
Extraction speed 9.9 X
Range quality 100.0 %
Test CRC 68051595
Copy CRC 68051595
Copy OK

No errors occurred

AccurateRip summary

Track 1 accurately ripped (confidence 6) [CE54F80E] (AR v2)
Track 2 accurately ripped (confidence 6) [5FA94E5C] (AR v2)
Track 3 accurately ripped (confidence 6) [1CA35BA2] (AR v2)
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All tracks accurately ripped

End of status report

==== Log checksum 8DBD752A1827485C22301267E65D4378A9B250620C83CE3AE9F874357E8FCDA3 ====

Henry Purcell – Funeral Music For Queen Mary, Sacred Music, Dioclesian, Songs (Michael Chance, Choir Of Clare College) [2001] Download, Warez, DDL, Free, Full Album, Torrent, Legal.

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