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Gluck – Armide (1983) (Hickox)

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Gluck - Armide (1983) (Hickox)

Gluck – Armide (1983) (Hickox)
Opera | 3cd | EAC Rip | Flac + Cue + Log | covers
EMI Classics, 7243 4 89880 2 7 | rel: 1983 | 830Mb

I made my first acquaintance with “Armide” via the Minkowski recording when I was in the middle of a project exploring all the operatic treatments of that sorceress’ story I could find. Gluck’s version, set to essentially the same text as the earlier Lully opera (minus the prologue) was the great surprise of the project, far surpassing the various works of Haydn, Cimarosa and Vivaldi that treated Armida’s story or offered comical send-ups of it, with Gluck’s greater vigor and lyricism surpassing the austere older style of Lully’s setting. The opera is arguably superior even to Handel’s uneven “Rinaldo” where the role of Armida is the dramatic core of an uneven work built around theatrical special effects, which nevertheless sparkles with some of the composer’s greatest hits. Hearing that some informed listeners much preferred the Hickox recording, I began my listening to this recording with enthusiasm, and could quickly confirm that it is splendidly sung and interpreted with great dramatic verve. I was put off at first by the middling French pronunciation of the cast, particularly the women, with Felicity Palmer’s articulation posing a special challenge if I lost my place in the libretto. But as an opera buff who came of age in the prime of Joan Sutherland, I am accustomed to making allowances for beautiful singing produced at the expense of precise diction.
In the scenes of enchantment that dominate Acts Three and Four the ravishing work of singers and orchestra alike won me over completely, and I was ready to agree that this is the best “Armide” on record. Unfortunately there was a shift in recording technique in the final act, when Palmer seemed to be singing in an echo chamber, a producer’s choice that made her voice seem bigger but was a jarring to the listener in headphones. My conclusion was that this is a beautifully sung and conducted recording, but not necessarily the first choice for the sophisticated listener. If an authentic French style means something to you, you may well prefer the Minkowski recording. If, on the other hand, drama and beautiful voices matter more than a keen feel for idiom, Hickox and his team will give you exactly what you’re seeking.
The truth is that for 95% of listeners either recording will do. The most important test is whether a performance shows the fledgling music fan what a ravishing opera “Armide” can be, and how utterly unjustified is its relative neglect. Both this recording and the Minkowski do that. If you’ve got the luxury of getting both you will learn more about the opera than with either along, but there’s no reason for regret if cost or opportunity send you to one rather than another. If this one comes your way first, and the price is right, the glories of Gluck’s brilliant opera are almost certain to outweigh the recording’s minor flaws.~Amazon

Track listing
cd1:
01. Ouverture (3:56)
02. Acte I; Scene 1 – “Dans un jour de triomphe…” (Phénice, Sidonie) (2:52)
03. Acte I; Scene 1 – “Je ne triomphe pas du plus vaillant de tous!” (Armide, Phénice, Sidonie) (2:19)
04. Acte I; Scene 1 – “Les Enfers ont prédit cent fois” (Armide, Sidonie) (3:48)
05. Acte I; Scene 2 – “Armide, que le sang qui m’unit avec vous” (Hidraot) (2:07)
06. Acte I; Scene 2 – “La chaine de l’hymen m’étonne” (Armide) (2:04)
07. Acte I; Scene 2 – “Pour vous, quand’il vous plait” (Hidraot, Armide) (2:25)
08. Acte I; Scene 2 – “Si je dois m’engager un jour” (Armide) (1:18)
09. Acte I; Scene 3 – “Armide est encore plus aimable” (Hidraot, Chour, Phénice, Sidonie) (3:48)
10. Acte I; Scene 3 – Ballet (1:33)
11. Acte I; Scene 3 – “Que la doceur d’une triomphe” (Sidonie, Phénice, Chour) (2:48)
12. Acte I; Scene 4 – “O ciel! disgrace cruelle!” (Aronte, Armide, Hidraot, Sidonie, Phénice, Chour) (3:21)
13. Acte II; Scene 1 – “Invincible héros c’est par votre courage” (Artémidore, Renaud) (2:51)
14. Acte II; Scene 1 – “Les repos me fait violence” (Renaud, Artémidore) (3:31)
15. Acte II; Scene 2 – “Arretons-nous ici, c’est dans ce lieu fatal” (Hidraot, Armide) (0:58)
16. Acte II; Scene 2 – “Espirits de haine et rage” (Hidraot, Armide) (3:02)
17. Acte II; Scene 3 – “Plus j’observe ces lieux…” (Renaud) (6:45)
18. Acte II; Scene 4 – “Au temps heureux ou l’on sait plaire” (Une Naiade) (1:15)
19. Acte II; Scene 4 – “Ah! Quelle erreur! Quelle folie” (Chour) (1:03)
20. Acte II; Scene 4 – Ballet (2:46)
21. Acte II; Scene 4 – “On s’étonnerait moins que la saison nouvelle” (Une Naiade) (3:49)
22. Acte II; Scene 5 – “Enfin, il est en ma puissance” (Armide) (2:48)
23. Acte II; Scene 5 – “Ah! Quelle cruauté de lui ravir le jour” (Armide) (4:22)

cd2:
01. Acte III; Scene 1 – “Ah! Si la liberté me doit etre ravie” (Armide) (3:57)
02. Acte III; Scene 2 – “Que ne peut point votre art?” (Phénice, Sidonie, Armide) (2:03)
03. Acte III; Scene 2 – “De mes plus doux regards Renard sut ce défendre” (Armide) (3:44)
04. Acte III; Scene 2 – “Il m’aime? Quel amour!” (Armide) (2:42)
05. Acte III; Scene 3 – “Venez, venez, Haine implacable!” (Armide) (3:17)
06. Acte III; Scene 4 – “Plus on connait l’Amour, et plus l’on deteste” (La Haine, Chour) (3:06)
07. Acte III; Scene 4 – “Amour, sors pour j’amais” (La Haine, Chour) (5:45)
08. Acte III; Scene 4 – “Sors, sors du sein d’Armide” (La Haine, Armide, Chour) (3:01)
09. Acte III; Scene 5 – “O ciel! Quelle horrible menace” (Armide) (1:49)
10. Acte IV; Scene 1 – “Nous ne trouvons partout que des gouffres ouverte” (Ubalde, Le Cavalier Danois) (3:21)
11. Acte IV; Scene 1 – “Redoublons nos soins, gardons-nous” (Ubalde, Le Cavalier Danois) (2:27)
12. Acte IV; Scene 2 – “Voici la charmante retraite” (Lucinde) (2:49)
13. Acte IV; Scene 2 – Ballet (1:25)
14. Acte IV; Scene 2 – “Allons, qui vous retient encore?” (Ubalde, Le Cavalier Danois) (0:28)
15. Acte IV; Scene 2 – “Jamais dans ces beaux lieux…” (Lucinde, Chour) (2:28)
16. Acte IV; Scene 2 – “Enfin, je vois l’amant pour qui mon coeur soupire” (Lucinde, Ubalde, Le Cavalier Danois) (3:38)
17. Acte IV; Scene 3 – “Je tourne en vain les yeux de toutes parte” (Ubalde, Le Cavalier Danois) (1:58)
18. Acte IV; Scene 4 – “D’ou vient que vous détournez” (Melisse, Ubalde, Le Cavalier Danois) (4:53)
19. Acte IV; Scene 4 – “Qui devient l’object qui m’enflamme?” (Ubalde, Le Cavalier Danois) (1:02)
20. Acte IV; Scene 4 – “Fuyons les douceurs dangereuses” (Ubalde, Le Cavalier Danois) (2:06)

cd3:
01. Acte V; Scene 1 – “Armide, vous m’allez quitter” (Renaud, Armide) (4:30)
02. Acte V; Scene 1 – “Aimons-nous, tout nous y convie!” (Renaud, Armide) (3:11)
03. Acte V; Scene 1 – Chaconne (6:50)
04. Acte V; Scene 2 – “Les plaisir ont choisi pour asile” (Un Plaisir, Chour) (3:07)
05. Acte V; Scene 2 – “C’est l’Amour qui retient dans ses chaines” (Une amante fortunée) (2:22)
06. Acte V; Scene 2 – Ballet (1:14)
07. Acte V; Scene 2 – Sicilienne (2:05)
08. Acte V; Scene 2 – “Jeunes cours, tout vous est favorable” (Un Plaisir, Une amante fortunée, Chour) (1:50)
09. Acte V; Scene 2 – “Allez, éloignez-vous de moi” (Renaud) (3:28)
10. Acte V; Scene 3 – “Il est seul; pofitons d’un temps si precieux” (Ubalde, Renaud) (0:38)
11. Acte V; Scene 3 – “Notre général vous rappelle” (Ubalde, Renaud, Le Cavalier Danois) (1:43)
12. Acte V; Scene 4 – “Renaud! Ciel! O mortelle peine!” (Armide, Renaud) (3:02)
13. Acte V; Scene 4 – “Non, jamais de l’Amour tu n’as senti le charme” (Armide, Renaud) (3:27)
14. Acte V; Scene 4 – “Il faut partir” (Renaud, Ubalde, Le Cavalier Danois) (0:59)
15. Acte V; Scene 4 – “Le perfid Renaud me fuit” (Armide) (6:58)

eac logs:
Exact Audio Copy V1.2 from 12. August 2016

EAC extraction logfile from 10. December 2016, 13:53

Richard Hickox / Armide (Disc 1)

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––
Exact Audio Copy V1.2 from 12. August 2016

EAC extraction logfile from 10. December 2016, 17:56

Richard Hickox / Armide (Disc 2)

Used drive : MATSHITADVD-RAM UJ8G6 Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 103
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
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Quality : High
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Peak level 100.0 %
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Copy CRC CDD4BB17
Copy OK

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–-

Exact Audio Copy V1.2 from 12. August 2016

EAC extraction logfile from 10. December 2016, 20:30

Richard Hickox / Armide (Disc 3)

Used drive : MATSHITADVD-RAM UJ8G6 Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
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Read offset correction : 103
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Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
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Quality : High
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Peak level 95.6 %
Extraction speed 3.9 X
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Copy CRC 5B9DF451
Copy OK

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9 | (1/1) Accurately ripped
10 | (1/1) Accurately ripped
11 | (1/1) Accurately ripped
12 | (1/1) Accurately ripped
13 | (1/1) Accurately ripped
14 | (1/1) Accurately ripped
15 | (1/1) Accurately ripped
16 | (1/1) Accurately ripped
17 | (1/1) Accurately ripped
18 | (1/1) Accurately ripped
19 | (1/1) Accurately ripped
20 | (1/1) Accurately ripped
21 | (1/1) Accurately ripped
22 | (1/1) Accurately ripped
23 | (1/1) Accurately ripped
[AccurateRip ID: 0034bdc6-036c9c3c-470f6917] found.
Track [ CRC | V2 ] Status
01 [613593fd|a9649c87] (1+0/1) Accurately ripped
02 [35af0318|1d3ebe64] (1+0/1) Accurately ripped
03 [2cc83b61|1f66ee4b] (1+0/1) Accurately ripped
04 [7ce09d87|e36b75ec] (1+0/1) Accurately ripped
05 [cc0dfde3|53b2b900] (1+0/1) Accurately ripped
06 [d8db20a9|80200e6c] (1+0/1) Accurately ripped
07 [78e3a755|18084945] (1+0/1) Accurately ripped
08 [be7f784e|a996d4b0] (1+0/1) Accurately ripped
09 [88615771|e02a001e] (1+0/1) Accurately ripped
10 [f019575e|7e84dbbe] (1+0/1) Accurately ripped
11 [c7f987a2|d055e4db] (1+0/1) Accurately ripped
12 [98f1ce02|ddd34d5e] (1+0/1) Accurately ripped
13 [13bf4e26|2488dd83] (1+0/1) Accurately ripped
14 [be8167d4|fe649026] (1+0/1) Accurately ripped
15 [acb1998b|e30e9733] (1+0/1) Accurately ripped
16 [01773d82|2a1eef75] (1+0/1) Accurately ripped
17 [c4c57639|b82164e4] (1+0/1) Accurately ripped
18 [59d33383|9421c08d] (1+0/1) Accurately ripped
19 [9f421d88|2769b043] (1+0/1) Accurately ripped
20 [2f6aa311|f71794ea] (1+0/1) Accurately ripped
21 [461efc19|1c201261] (1+0/1) Accurately ripped
22 [2a9521b8|d4a9eb22] (1+0/1) Accurately ripped
23 [b9cbd3ef|bf28f0f9] (1+0/1) Accurately ripped

Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 94,0 [AC81D1C8] [492B6443] CRC32
01 62,3 [9F4080AE] [74341A94]
02 48,5 [CF5F8CAD] [65283678]
03 70,3 [E2E6C478] [D8AEE558]
04 73,8 [D3E398E8] [4A20A4B3]
05 52,3 [945F1F68] [CA89F76A]
06 58,1 [355244B1] [91F24778]
07 70,4 [B8E0FBFC] [3974E309]
08 77,5 [FA7A1E46] [956EED2E]
09 81,1 [892C0FD0] [FEB6C684]
10 19,3 [B24C0476] [0D59F69B]
11 49,8 [2744895F] [103A238A]
12 94,0 [3E5C7AB5] [37472FD8]
13 23,8 [17034A16] [57AFC567]
14 32,1 [5F1FB3C2] [C39A4A4C]
15 33,5 [10DE10AB] [BEDD8D44]
16 54,4 [B6A6DEDE] [309E7EB7]
17 20,6 [BCABC457] [9C5E64B1]
18 23,1 [E2F9AE25] [B67808EA]
19 23,8 [DD73623C] [97ADA89E]
20 13,0 [CC4233F1] [6FB045B5]
21 28,6 [BA90ABBA] [FA77F514]
22 47,1 [18AC34D4] [1E3260A3]
23 58,0 [9465792B] [55045697]

–-

[CUETools log; Date: 2017. 01. 05. 9:57:20; Version: 2.1.6]
[CTDB TOCID: JvFvBqaW6.daJ.qYrrHxeC6xl9c-] found.
Track | CTDB Status
1 | (1/1) Accurately ripped
2 | (1/1) Accurately ripped
3 | (1/1) Accurately ripped
4 | (1/1) Accurately ripped
5 | (1/1) Accurately ripped
6 | (1/1) Accurately ripped
7 | (1/1) Accurately ripped
8 | (1/1) Accurately ripped
9 | (1/1) Accurately ripped
10 | (1/1) Accurately ripped
11 | (1/1) Accurately ripped
12 | (1/1) Accurately ripped
13 | (1/1) Accurately ripped
14 | (1/1) Accurately ripped
15 | (1/1) Accurately ripped
16 | (1/1) Accurately ripped
17 | (1/1) Accurately ripped
18 | (1/1) Accurately ripped
19 | (1/1) Accurately ripped
20 | (1/1) Accurately ripped
[AccurateRip ID: 002b9441-0272ecf1-180d2914] found.
Track [ CRC | V2 ] Status
01 [1fbeb579|ad1997ce] (1+0/1) Accurately ripped
02 [ab660f32|98379f7c] (1+0/1) Accurately ripped
03 [38f0fab2|77f49712] (1+0/1) Accurately ripped
04 [87994fa9|40b84f0e] (1+0/1) Accurately ripped
05 [6fa9534d|84eb4316] (1+0/1) Accurately ripped
06 [fb254567|33a2f212] (1+0/1) Accurately ripped
07 [b72d8b09|16c3da0f] (1+0/1) Accurately ripped
08 [9fe40673|0ddb7b82] (1+0/1) Accurately ripped
09 [b2e64540|52f51f02] (1+0/1) Accurately ripped
10 [94c747ec|05835772] (1+0/1) Accurately ripped
11 [45663bde|4b82c2b3] (1+0/1) Accurately ripped
12 [7586c82c|6f73edc8] (1+0/1) Accurately ripped
13 [e5cedc37|2f3e71cf] (1+0/1) Accurately ripped
14 [90b96e3d|2879dcbf] (1+0/1) Accurately ripped
15 [1352b7d4|4edee7fc] (1+0/1) Accurately ripped
16 [679f4c37|794d5848] (1+0/1) Accurately ripped
17 [ba157902|e342d660] (1+0/1) Accurately ripped
18 [3c02c2c2|24ad264d] (1+0/1) Accurately ripped
19 [e89f3d1b|28ba5b2f] (1+0/1) Accurately ripped
20 [a046ebf7|43634b7d] (1+0/1) Accurately ripped

Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 99,9 [CDD4BB17] [545F7ADF] CRC32
01 60,9 [6676E937] [6A2DAF15]
02 45,5 [52F7CB6E] [58FC0749]
03 95,5 [A0295EF4] [C812931D]
04 79,5 [E45B8ACB] [EB3C70A6]
05 85,6 [F42AFBD8] [8473074B]
06 99,9 [F8D8918D] [3E89880F]
07 60,7 [7877FB18] [7F4FEDD2]
08 83,1 [2565DFA0] [41B76658]
09 39,3 [E9ED279E] [0EFB6764]
10 74,5 [8C5DA3B4] [A64289DD]
11 72,6 [107CCCE8] [FF79A346]
12 54,5 [2FA210BC] [DF2D113A]
13 25,6 [1A600518] [883FDC3A]
14 34,4 [A54F494A] [06C3D63F]
15 61,0 [124B7B36] [C550EB4C]
16 83,5 [0CD5C71D] [77578786]
17 46,4 [607082D4] [19D50712]
18 71,9 [7872160C] [2FC30939]
19 48,7 [B97F9B8E] [95BA08AF]
20 89,1 [A426C41F] [83E78EB4]

[CUETools log; Date: 2017. 01. 05. 9:57:33; Version: 2.1.6]
Pregap length 00:00:32.
[CTDB TOCID: L.vmsW0bl_qoprsqkDflWFFjnO8-] found.
Track | CTDB Status
1 | (1/1) Accurately ripped
2 | (1/1) Accurately ripped
3 | (1/1) Accurately ripped
4 | (1/1) Accurately ripped
5 | (1/1) Accurately ripped
6 | (1/1) Accurately ripped
7 | (1/1) Accurately ripped
8 | (1/1) Accurately ripped
9 | (1/1) Accurately ripped
10 | (1/1) Accurately ripped
11 | (1/1) Accurately ripped
12 | (1/1) Accurately ripped
13 | (1/1) Accurately ripped
14 | (1/1) Accurately ripped
15 | (1/1) Accurately ripped
[AccurateRip ID: 001a0d73-011b1095-c20aac0f] found.
Track [ CRC | V2 ] Status
01 [7e2bde2d|83d8dee5] (1+0/1) Accurately ripped
02 [85143721|e2c2b3aa] (1+0/1) Accurately ripped
03 [348d10a2|5b2868a8] (1+0/1) Accurately ripped
04 [2b68b267|0f3e629f] (1+0/1) Accurately ripped
05 [9f2c53a8|d30186eb] (1+0/1) Accurately ripped
06 [e4cbf857|da1f0ae9] (1+0/1) Accurately ripped
07 [fcb75c61|157cb65a] (1+0/1) Accurately ripped
08 [179c5ffe|a37cca92] (1+0/1) Accurately ripped
09 [e358c842|f00bfc0e] (1+0/1) Accurately ripped
10 [c26adc70|49d11759] (1+0/1) Accurately ripped
11 [c2d24952|83aca79c] (1+0/1) Accurately ripped
12 [12c8fbbd|ff0c9ebf] (1+0/1) Accurately ripped
13 [83265aa3|3cedf6df] (1+0/1) Accurately ripped
14 [2b8fba82|22ed4f83] (1+0/1) Accurately ripped
15 [16d65085|879987a3] (1+0/1) Accurately ripped

Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 95,6 [5B9DF451] [10268C21] CRC32
01 88,4 [04E11223] [99F3BA18]
02 84,3 [9D909DDC] [CF7A5398]
03 45,4 [7C120ADA] [B4EEAAC8]
04 56,7 [831EB80D] [3AAFBE1E]
05 35,4 [30664030] [D71DB7DF]
06 18,6 [A62E2E62] [8162B6FA]
07 11,4 [AAFDF0D9] [63EAB1E2]
08 52,6 [399136B4] [6EE69C6D]
09 40,1 [EC8824BF] [1963BF4C]
10 30,6 [852FAB83] [CBF30ED5]
11 53,8 [A19162DB] [A73F071E]
12 73,3 [E3B7CC9B] [6879C61D]
13 71,3 [23625802] [AC02B241]
14 55,2 [7BA6EA72] [B8178191]
15 95,6 [F2402782] [2A118AE1]

Thx to Roy

Gluck – Armide (1983) (Hickox) Download, Warez, DDL, Free, Full Album, Torrent, Legal.

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