Franz Xaver Scharwenka – Piano Music Vol.4 – Seta Tanyel (2003) {Hyperion-Helios CDH55134 rec 1995}

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Franz Xaver Scharwenka - Piano Music Vol.4 - Seta Tanyel (2003) {Hyperion-Helios CDH55134 rec 1995}

Franz Xaver Scharwenka – Piano Music Vol.4 – Seta Tanyel (2003) {Hyperion-Helios CDH55134 rec 1995}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 198 Mb | MP3 @320 -> 167 Mb
Full Artwork @ 300 dpi (png) -> 18 Mb | 5% repair rar
© 1995, 2003 Collins Classics / Hyperion Records / Helios | CDH55134
Classical / Romantic / Early 20th Century / Piano

‘… brimful with alert character and beauty whilst the two piano pieces are delightful in their raucous melodies … briliantly done by Tanyel’ (Classical Net Review).

It was brave and useful and laudable of Seta Tanyel and the now-defunct label Collins Classics to have embarked, in the 1990s, in a thorough exploration of the music of Xaver Scharwenka (1850-1924), and one must be grateful to Hyperion to have reissued almost all of it. The 4-volume traversal of his solo piano music doesn’t embrace I think Scharwenka’s complete piano output, but it is still very substantial. Add to that the three first piano concertos (apparently Collins didn’t live long enough to record the Fourth, and the first is the one disc that Hyperion did not reissue, Piano Concerto 1, obviously because they already had another one in their catalog, Rubinstein: Piano Concerto No. 4; Scharwenka: Piano Concerto No. 1) and what I think was the complete chamber music. However, I didn’t always feel that the results lived up to the project’s promises.

In fact, I was to a certain extent mislead by Tanyel’s two CDs of chamber music, which were my introduction to the cycle and to Scharwenka’s music (see my review of Chamber Music Complete). Of them, I commented that, when it comes to chamber music, there seemed to be no "minor" romantic composer, and Schwarwenka’s compositions seemed as "major" to me as those of Brahms, Schumann or Dvorak.

But the first two volumes of Tanyel’s traversal of Scharwenka’s piano music weren’t so rewarding, and there, I understood why Scharwenka could indeed be considered as a "minor" romantic composer after all, a composer of salon music, derivative (of Chopin, Schumann, Liszt or Brahms) but without his models’ unique melodic, harmonic and rhythmic personalities (Scharwenka: Piano Works Vol. 1 – Piano Sonata Op. 6 / Polish National Dances Op. 3,Piano Works 2). Likewise, listening to Piano Concertos No. 2 & 3, I felt, even with the help of the scores, that those works were full of notes and grand to grandiloquent gestures, but short on music that left a true imprint in one’s memory (Piano Concertos 2 & 3).

Therefore I am happy that I can be somewhat more positive with the volume four of Scharwenka’s piano music.

Not so much with the Chopin-derived works, though. Although trained in Germany, Scharwenka was born near the (now) Polish city of Poznan, back then in East Prussia, and the Polish roots can be easily heard in the Four Polish Dances, op. 47. They sound like Chopin’s Mazurkas, usually more pounding and less subtle and without Chopin’s unique rhythmic and melodic twists. They are enjoyable, but pretty fluffy – an impression I never get with Chopin’s Mazurkas. The six Waltzes op. 28 stand somewhere between those of Chopin and those of Brahms, but emulate neither in quality (not that those of Brahms are part of his top-drawer, either). They alternate between the assertive ("passionate" would be an overstatement to describe the first), the festive (last) and the pensive-wistful. I wouldn’t trade 24 of them for one of Chopin, though. This is the kind of music that you’d expect The Pianist to be playing in a fashionable Warsaw Café with nobody listening.

The second Klavierstück op. 65/2 (Scherzo), track 6, was better, with the turbulence of a Brahms Capriccio, but the preceding Menuett op. 65/1 sounded like a charming and gentle, but rather inconsequential derivation of a Mendelssohn Song without word, despite a nicely passionate middle section. So the overriding impression was again that of a derivative composer without much distinctive personality, and I was about to give up on Scharwenka. Then came the Variations opus 57.

Again the model and influence here seems to be Brahms. The Variations – on a none too promising theme by a wealthy and powerful Prinz-friend of Scharwenka – may not have the harmonic richness and the melodic invention of, say, the Haendel variations, but looking at the score (available on download, with the others, from the International Music Scores Library Project, I will ever genuflect to them in worship), the compositional technique is very Brahmsian indeed and Scharwenka factors in enough science of the piano and of the variation to make them always interesting – and even more than that in some of the variations: mentioning only two, the 7th, with its hushed and dreamy arpeggiated chords, sounds like an old fairy-tale being told and in the 11th, Scharwenka succeeds where I’ve found that he often failed: he composed a melody that is sentimental AND beautiful, not just sweet and sentimental and mawkish. The Variations are one of the real finds of this volume 4 and they deserve to be played more regularly as an encore to the various variations of Brahms.

The Three Klavierstücke op. 86 from 1913 are even more beautiful. Here, Liszt seems the predominant model. Nocturne is reminiscent of such meditative works of Liszt as Consolation No. 3, and again Scharwenka has fashioned a beautiful, brooding melody in the deep mid-range of the piano over softly rippling triple-time accompaniment, with some occasional and fascinating counter melodies sprouting out of the texture. There is a lovely whimsicality to Serenade, and Märchen is exactly that, the dreamy and evocative music to a fairy tale. In its very bareness, it sounds like a piece the old Liszt could have written. And that Scharwenka composed the Klavierstücke 20 to 50 years after time doesn’t matter much. Although written much earlier, in 1870, and showing young Scharwenka’s debt to Schumann (the Schumann of Kinderszenen), the two Erzählungen am Klavier op. 5 (the booklet translates them as "Legends", but it is rather "Stories") are good and enjoyable imitations.

Following with the scores, I am under the impression that Tanyel does justice to this music. There might have been room for a little more animation in Märchen, perhaps. So, I was about to give up on Scharwenka, and maybe I won’t after all. I still have Tanyel’s volume 3 to hear (Piano Works, Volume 3), and maybe I’ll even go back to volumes 1 & 2 with the IMSLP’s scores, just to make sure I didn’t miss anything of value.

Musicians:
Seta Tanyel – piano

tracklist:
01 – 4 Polish Dances, Op. 47 – No.1 Con Fuoco
02 – 4 Polish Dances, Op. 47 – No.2 Lento and Espressivo
03 – 4 Polish Dances, Op. 47 – No.3 Vivo
04 – 4 Polish Dances, Op. 47 – No.4 Con Fuoco
05 – 2 Klavierstucke, Op. 65 – No.1 Menuett
06 – 2 Klavierstucke, Op. 65 – No.2 Scherzo
07 – 6 Waltzes, Op. 28 – No.1 Passionato
08 – 6 Waltzes, Op. 28 – No.2 Lento, Piu Vivace, Passionato
09 – 6 Waltzes, Op. 28 – No.3 Animato
10 – 6 Waltzes, Op. 28 – No.4 Non Troppo Allegro
11 – 6 Waltzes, Op. 28 – No.5 Lento. Piu Animato
12 – 6 Waltzes, Op. 28 – No.6 Vivace
13 – Variations On A Theme By C H, Op. 57 – Theme. Andante
14 – Variations On A Theme By C H, Op. 57 – Var. 1. Un Poco Piu Mosso
15 – Variations On A Theme By C H, Op. 57 – Var. 2. L’Istesso Tempo
16 – Variations On A Theme By C H, Op. 57 – Var. 3. Piu Mosso (Quasi Allegro)
17 – Variations On A Theme By C H, Op. 57 – Var. 4. Allegro
18 – Variations On A Theme By C H, Op. 57 – Var. 5. Allegro, Sempre Ben Staccato
19 – Variations On A Theme By C H, Op. 57 – Var. 6. L’Istesso Tempo
20 – Variations On A Theme By C H, Op. 57 – Var. 7. Andante
21 – Variations On A Theme By C H, Op. 57 – Var. 8. Allegretto
22 – Variations On A Theme By C H, Op. 57 – Var. 9. Allegretto
23 – Variations On A Theme By C H, Op. 57 – Var. 10. Molto Piu Lento
24 – Variations On A Theme By C H, Op. 57 – Var. 11. Quasi Fantasia, Lento
25 – Variations On A Theme By C H, Op. 57 – Var. 12. Allegretto
26 – Variations On A Theme By C H, Op. 57 – Var. 13. Finale
27 – 3 Klavierstucke, Op. 86 – No.1 Nocturne. Langsam, Innig
28 – 3 Klavierstucke, Op. 86 – No.2 Serenade. Allegretto
29 – 3 Klavierstucke, Op. 86 – No.3 Marchen. Langsam, Sehr Zart
30 – 2 Erzahlungen Am Klavier, Op. 5 – No.1 In D Flat. Langsam and Zart
31 – 2 Erzahlungen Am Klavier, Op. 5 – No.2 In F. Sehr Schnell Bewegt

(Originally issued on Collins14742)

Recording details: October 1995
Forde Abbey, Somerset, United Kingdom
Produced by John H West
Engineered by John Timperley

XLD log
X Lossless Decoder version 20130407 (143.0)

XLD extraction logfile from 2013-05-24 08:29:13 +1000

Seta Tanyel / Scharwenka – Piano Music of Scharwenka Vol.4 (2003) [FLAC] {Seta Tanyel}

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Filename : /Volumes/RIP/Scharwenka – Piano Music of Scharwenka Vol.4 (2003) [FLAC] {Seta Tanyel}/20 – Variations On A Theme By C H, Op. 57 – Var. 7. Andante.flac

Track gain : 9.98 dB
Peak : 0.220764
CRC32 hash (test run) : 775D106B
CRC32 hash : 775D106B
CRC32 hash (skip zero) : 0B9186E4
AccurateRip v1 signature : C979B2C0
AccurateRip v2 signature : 237FADFB
->Accurately ripped (v1, confidence 2/2)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 21
Filename : /Volumes/RIP/Scharwenka – Piano Music of Scharwenka Vol.4 (2003) [FLAC] {Seta Tanyel}/21 – Variations On A Theme By C H, Op. 57 – Var. 8. Allegretto.flac

Track gain : 6.83 dB
Peak : 0.252869
CRC32 hash (test run) : 98A7A7D7
CRC32 hash : 98A7A7D7
CRC32 hash (skip zero) : BB1B7ADF
AccurateRip v1 signature : 5F57A5F9
AccurateRip v2 signature : E0C9E5A5
->Accurately ripped (v1, confidence 2/2)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 22
Filename : /Volumes/RIP/Scharwenka – Piano Music of Scharwenka Vol.4 (2003) [FLAC] {Seta Tanyel}/22 – Variations On A Theme By C H, Op. 57 – Var. 9. Allegretto.flac

Track gain : 7.74 dB
Peak : 0.267670
CRC32 hash (test run) : 55BFC6CA
CRC32 hash : 55BFC6CA
CRC32 hash (skip zero) : 1A814C38
AccurateRip v1 signature : C4AAC50B
AccurateRip v2 signature : E588082F
->Accurately ripped (v1, confidence 2/2)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 23
Filename : /Volumes/RIP/Scharwenka – Piano Music of Scharwenka Vol.4 (2003) [FLAC] {Seta Tanyel}/23 – Variations On A Theme By C H, Op. 57 – Var. 10. Molto Piu Lento.flac

Track gain : 10.73 dB
Peak : 0.188843
CRC32 hash (test run) : 67E4CAB0
CRC32 hash : 67E4CAB0
CRC32 hash (skip zero) : 464E6551
AccurateRip v1 signature : BCBE1C72
AccurateRip v2 signature : 8F7A6547
->Accurately ripped (v1, confidence 2/2)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 24
Filename : /Volumes/RIP/Scharwenka – Piano Music of Scharwenka Vol.4 (2003) [FLAC] {Seta Tanyel}/24 – Variations On A Theme By C H, Op. 57 – Var. 11. Quasi Fantasia, Lento.flac

Track gain : 10.48 dB
Peak : 0.388000
CRC32 hash (test run) : E6004C4E
CRC32 hash : E6004C4E
CRC32 hash (skip zero) : 6F08D983
AccurateRip v1 signature : AC3FF1C1
AccurateRip v2 signature : 3F84FC9B
->Accurately ripped (v1, confidence 2/2)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 25
Filename : /Volumes/RIP/Scharwenka – Piano Music of Scharwenka Vol.4 (2003) [FLAC] {Seta Tanyel}/25 – Variations On A Theme By C H, Op. 57 – Var. 12. Allegretto.flac

Track gain : 5.32 dB
Peak : 0.316803
CRC32 hash (test run) : C1EBDB2F
CRC32 hash : C1EBDB2F
CRC32 hash (skip zero) : AEECF878
AccurateRip v1 signature : 6AAD7AE4
AccurateRip v2 signature : E72CEA7A
->Accurately ripped (v1, confidence 2/2)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 26
Filename : /Volumes/RIP/Scharwenka – Piano Music of Scharwenka Vol.4 (2003) [FLAC] {Seta Tanyel}/26 – Variations On A Theme By C H, Op. 57 – Var. 13. Finale.flac

Track gain : -1.25 dB
Peak : 0.866547
CRC32 hash (test run) : B47E67EA
CRC32 hash : B47E67EA
CRC32 hash (skip zero) : FD6B9820
AccurateRip v1 signature : ACEBFE1A
AccurateRip v2 signature : F0093DD3
->Accurately ripped (v1, confidence 2/2)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 27
Filename : /Volumes/RIP/Scharwenka – Piano Music of Scharwenka Vol.4 (2003) [FLAC] {Seta Tanyel}/27 – 3 Klavierstucke, Op. 86 – No.1 Nocturne. Langsam, Innig.flac
Pre-gap length : 00:04:59

Track gain : 3.75 dB
Peak : 0.829529
CRC32 hash (test run) : 604615B6
CRC32 hash : 604615B6
CRC32 hash (skip zero) : AF4C897D
AccurateRip v1 signature : 07602C21
AccurateRip v2 signature : 6895EAEC
->Accurately ripped (v1, confidence 2/2)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 28
Filename : /Volumes/RIP/Scharwenka – Piano Music of Scharwenka Vol.4 (2003) [FLAC] {Seta Tanyel}/28 – 3 Klavierstucke, Op. 86 – No.2 Serenade. Allegretto.flac
Pre-gap length : 00:04:60

Track gain : 9.46 dB
Peak : 0.319824
CRC32 hash (test run) : 793FA385
CRC32 hash : 793FA385
CRC32 hash (skip zero) : 2CE02857
AccurateRip v1 signature : 9D3FB831
AccurateRip v2 signature : 2C262F97
->Accurately ripped (v1, confidence 2/2)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 29
Filename : /Volumes/RIP/Scharwenka – Piano Music of Scharwenka Vol.4 (2003) [FLAC] {Seta Tanyel}/29 – 3 Klavierstucke, Op. 86 – No.3 Marchen. Langsam, Sehr Zart.flac

Track gain : 10.43 dB
Peak : 0.332520
CRC32 hash (test run) : E80A09D3
CRC32 hash : E80A09D3
CRC32 hash (skip zero) : AB02CC81
AccurateRip v1 signature : CE7B6A1F
AccurateRip v2 signature : E8C7C0C6
->Accurately ripped (v1, confidence 2/2)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 30
Filename : /Volumes/RIP/Scharwenka – Piano Music of Scharwenka Vol.4 (2003) [FLAC] {Seta Tanyel}/30 – 2 Erzahlungen Am Klavier, Op. 5 – No.1 In D Flat. Langsam and Zart.flac
Pre-gap length : 00:05:58

Track gain : 7.75 dB
Peak : 0.606140
CRC32 hash (test run) : 7B5C0FFC
CRC32 hash : 7B5C0FFC
CRC32 hash (skip zero) : C264A2BE
AccurateRip v1 signature : E4EA415B
AccurateRip v2 signature : 85B11163
->Accurately ripped (v1, confidence 2/2)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

Track 31
Filename : /Volumes/RIP/Scharwenka – Piano Music of Scharwenka Vol.4 (2003) [FLAC] {Seta Tanyel}/31 – 2 Erzahlungen Am Klavier, Op. 5 – No.2 In F. Sehr Schnell Bewegt.flac

Track gain : 1.76 dB
Peak : 0.723969
CRC32 hash (test run) : 882E37DF
CRC32 hash : 882E37DF
CRC32 hash (skip zero) : C2E01F4B
AccurateRip v1 signature : 6731B5E2
AccurateRip v2 signature : 4C1447E4
->Accurately ripped (v1, confidence 2/2)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

No errors occurred

End of status report

Franz Xaver Scharwenka - Piano Music Vol.4 - Seta Tanyel (2003) {Hyperion-Helios CDH55134 rec 1995}

Franz Xaver Scharwenka - Piano Music Vol.4 - Seta Tanyel (2003) {Hyperion-Helios CDH55134 rec 1995}

see also:
Franz Xaver Scharwenka – Piano Music Vol.1 – Seta Tanyel (2002) {Hyperion-Helios CDH55131 rec 1991}
Franz Xaver Scharwenka – Piano Music Vol.2 – Seta Tanyel (2002) {Hyperion-Helios CDH55132 rec 1992}
Franz Xaver Scharwenka – Piano Music Vol.3 – Seta Tanyel (2002) {Hyperion-Helios CDH55133 rec 1992}

===

Franz Xaver Scharwenka – Piano Music Vol.4 – Seta Tanyel (2003) {Hyperion-Helios CDH55134 rec 1995} Download, Warez, DDL, Free, Full Album, Torrent, Legal.

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