Everclear – So Much For The Afterglow [Capitol TOCP-50310] {Japan 1997}

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Everclear - So Much For The Afterglow [Capitol TOCP-50310] {Japan 1997}

Everclear – So Much For The Afterglow
EAC+LOG+CUE | FLAC: 384 MB | Full Artwork: 126 MB | 5% Recovery Info
Label/Cat#: Capitol # TOCP-50310 | Country/Year: Japan 1997
Genre: Rock | Style: Alternative Rock, Grunge, Pop Rock

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

my rip [X] not my rip [ ]

Everclear - So Much For The Afterglow [Capitol TOCP-50310] {Japan 1997}

EAC_LOG
Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 10. July 2013, 19:20

Everclear / So Much For The Afterglow

Used drive : PLEXTOR CD-R PX-W1210A Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 99
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:Program FilesFLACflac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:54.60 | 0 | 17609
2 | 3:54.60 | 3:20.20 | 17610 | 32629
3 | 7:15.05 | 0:34.47 | 32630 | 35226
4 | 7:49.52 | 3:13.15 | 35227 | 49716
5 | 11:02.67 | 3:58.10 | 49717 | 67576
6 | 15:01.02 | 3:51.30 | 67577 | 84931
7 | 18:52.32 | 3:28.33 | 84932 | 100564
8 | 22:20.65 | 3:07.02 | 100565 | 114591
9 | 25:27.67 | 3:35.03 | 114592 | 130719
10 | 29:02.70 | 3:32.17 | 130720 | 146636
11 | 32:35.12 | 3:47.70 | 146637 | 163731
12 | 36:23.07 | 4:17.13 | 163732 | 183019
13 | 40:40.20 | 3:34.60 | 183020 | 199129
14 | 44:15.05 | 2:51.05 | 199130 | 211959
15 | 47:06.10 | 7:01.10 | 211960 | 243544

Range status and errors

Selected range

Filename F:=== VINYL RIPS ====== EAC===X FRESH RIPEverclear – So Much For The Afterglow.wav

Peak level 100.0 %
Extraction speed 3.6 X
Range quality 100.0 %
Test CRC 24B22F05
Copy CRC 24B22F05
Copy OK

No errors occurred

AccurateRip summary

Track 1 accurately ripped (confidence 1) [B02E7B02] (AR v1)
Track 2 accurately ripped (confidence 1) [A2CE9E35] (AR v1)
Track 3 accurately ripped (confidence 1) [3890EDB9] (AR v1)
Track 4 accurately ripped (confidence 1) [75F04F9D] (AR v1)
Track 5 accurately ripped (confidence 1) [9A7C051E] (AR v1)
Track 6 accurately ripped (confidence 1) [58EBDA84] (AR v1)
Track 7 accurately ripped (confidence 1) [78AD563F] (AR v1)
Track 8 accurately ripped (confidence 1) [A02555AF] (AR v1)
Track 9 accurately ripped (confidence 1) [35C5DA84] (AR v1)
Track 10 accurately ripped (confidence 1) [993544CC] (AR v1)
Track 11 accurately ripped (confidence 1) [36572FB9] (AR v1)
Track 12 accurately ripped (confidence 1) [6C5453C0] (AR v1)
Track 13 accurately ripped (confidence 1) [7D9B6481] (AR v1)
Track 14 accurately ripped (confidence 1) [BBB2681B] (AR v1)
Track 15 accurately ripped (confidence 1) [21B68BD4] (AR v1)

All tracks accurately ripped

End of status report

–– CUETools DB Plugin V2.1.3

[CTDB TOCID: WmocS.oh65dHnuLUdCOXFjcsaqQ-] disk not present in database, Submit result: WmocS.oh65dHnuLUdCOXFjcsaqQ- has been uploaded

==== Log checksum 0745F6F86AAB09A61B1855C22B0072409B82807A9FC0F5D4FBAE459B962C3563 ====

Dynamic_Range_LOG
foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2013-07-16 22:30:16

––––––––––––––––––––––––––––––––––––––––
Analyzed: Everclear / So Much For The Afterglow
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR8 0.00 dB -9.94 dB 3:55 01-So Much For The Afterglow
DR7 -0.18 dB -8.87 dB 3:20 02-Everything To Everyone
DR13 -5.46 dB -24.41 dB 0:35 03-Ataraxia (media intro)
DR7 0.00 dB -9.12 dB 3:13 04-Normal Like You
DR8 0.00 dB -9.38 dB 3:58 05-I Will Buy You A New Life
DR7 0.00 dB -9.52 dB 3:51 06-Father Of Mine
DR10 0.00 dB -12.10 dB 3:28 07-One Hit Wonder
DR9 0.00 dB -10.27 dB 3:07 08-El Distorto De Melodica
DR9 0.00 dB -11.29 dB 3:35 09-Amphetamine
DR9 0.00 dB -10.68 dB 3:32 10-White Men In Black Suits
DR8 -0.70 dB -10.34 dB 3:48 11-Sunflowers
DR10 0.00 dB -11.74 dB 4:17 12-Why I Don’t Believe In God
DR9 0.00 dB -11.12 dB 3:35 13-Like A California King
DR9 0.00 dB -10.30 dB 2:51 14-Souther Girls
DR8 0.00 dB -10.71 dB 7:01 15-Speed Racer
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 15
Official DR value: DR9

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 994 kbps
Codec: FLAC
================================================================================

CD Info:

Everclear ‎– So Much For The Afterglow

Label: Capitol Records
Catalog#: TOCP-50310
Format: CD, Album
Country: Japan
Released: 18 Sep 1997
Genre: Rock
Style: Alternative Rock, Grunge, Pop Rock

Tracklist:

1 So Much For The Afterglow 3:55
2 Everything To Everyone 3:20
3 Ataraxia (Media Intro) 0:35
4 Normal Like You 3:13
5 I Will Buy You A New Life 3:58
6 Father Of Mine 3:51
7 One Hit Wonder 3:28
8 El Distorto De Melodica 3:07
9 Amphetamine 3:35
10 White Men In Black Suits 3:32
11 Sunflowers 3:48
12 Why I Don’t Believe In God 4:17
13.1 Like A California King 3:35
14 Southern Girls 2:51
15.1 Speed Racer 7:01
16.1 Hating You For Christmas

Credits:

Bass, Vocals, Keyboards, Mandolin – Craig Montoya
Drums, Percussion, Vocals, Keyboards – Greg Eklund
Mastered By – Bob Ludwig
Vocals, Guitar, Keyboards, Banjo, Mandolin, Piano – Art Alexakis

AllMusic Review by Stephen Thomas Erlewine

Sparkle and Fade became a surprise hit thanks to "Santa Monica," a gritty, infectious grunge hit that captured Everclear at their best. Like many grunge and post-grunge rockers, however, Everclear’s leader, Art Alexakis, felt constrained by his modest success and its implications, deciding to take his band in new experimental directions for their follow-up album, So Much for the Afterglow. As the title suggests – as well as song titles like "One Hit Wonder," "White Men in Black Suits," and "Everything to Everyone" – Alexakis is feeling a bit ambivalent about his success, believing that it’s only a transient thing. He may be right – So Much for the Afterglow lacks anything as catchy as "Santa Monica." He attempts to compensate by adding a more elaborate production, complete with Beach Boy harmonies and guest musicians. The result sounds cluttered, not symphonic, and distracts from Everclear’s strength as a straight-ahead grunge trio. There are several songs on the album that do showcase the group at their best, but they aren’t enough to excuse the confused attempts at progression that make So Much for the Afterglow a muddled affair. ~allmusicguide

Everclear - So Much For The Afterglow [Capitol TOCP-50310] {Japan 1997}

Everclear - So Much For The Afterglow [Capitol TOCP-50310] {Japan 1997}

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